Categories
Morricone

The Morricone Collection: “Wolf” (1994)

Power without guilt. Love without doubt. It feels good to be Wolf… doesn’t it?

-Dr. Alezais, “Wolf.”
Theatrical Poster.
Album Sticker.

From the liner notes:

Working with Ennio Morricone and the resultant score was the most gratifying experience I’ve had in a long life of making movies. His extraordinary music has the mystery and integrity of the work of a great composer. But Morricone is very much a film composer. He is unmatched at finding the secrets and the undercurrents of a scene in a film and of its overall story. Working with a true artist is always an enlightening experience. I was very happy working on ‘Wolf‘ with Morricone and I am happy with the result.

-Mike Nichols.

This is a film of the highest level and of great importance for the cinema. The musical score was a very elaborate and complex process. Certain pieces were widely discussed between Mike Nichols and myself with great care and passion, so as to find the creative balance within each piece between the poetic and the primitive, the romantic and the naturalistic. The process of creating this two-fold interpretation composed many intense and passionately creative moments between Mike Nichols and myself.

-Ennio Morricone.

This 2017 Music On Vinyl pressing of Morricone’s 1994 score is part of their excellent Ennio Morricone Classic Soundtrack Series (see image below for the complete collection).

Legendary Director Mike Nichols smiles in a publicity photo for “Wolf.”
Nichols directing Nicholson and Michelle Pfeiffer on location.

In Mike Nichols‘ 1994 romantic-horror film, “Wolf,” Jack Nicholson stars as Will Randle, a mild-mannered publishing executive who is losing his wife and job to the machinations of his slippery, duplicitous protegé, James Spader, until he is bitten by a wolf one night on a dark back road and begins to act…strangely.

Nicholson as the man who will become Wolf.
Nicholson with the always excellent Kate Nelligan (see “Frankie & Johnny” – also starring Michelle Pfeiffer – for further evidence) as his unfaithful wife, and James Spader as his conniving protogé.
Nicholson about to be bitten.
Nicholson’s bad hair day.

As he begins to transform into the Wolf of the title, he begins a romantic relationship with Michelle Pfeiffer, the daughter of Nicholson’s publishing mogul boss (Christopher Plummer) .

Nicholson’s wolfish grin.
Spader feeling his inner Wolf.
Pfeiffer in Lobby Card for “Wolf.”
Nicholson & Pfeiffer grace the cover of the now defunct Premiere magazine, for which 12-year-old Reece had a subscription.

Links:

Listen to Morricone’s score for “Wolf” here:

Complete score on YouTube.

Watch the trailer for Mike Nichols‘ “Wolf” here:

Trailer on YouTube.

Watch Nicholson get bitten here:

The Bite on YouTube.

Watch an excellent Om Puri explain the legend of the Wolf to Nicholson (in one of my favourite scenes) here:

Dr. Alezais scene from Wolf on YouTube.

See Nicholson’s transformation (old-school make-up and prosthetics, not CGI) into the Wolf here:

The Transformation on YouTube.

Watch the climactic fight sequence between Nicholson and Spader here:

Duelling Werewolves on YouTube.

Discover the story behind the making of “Wolf” here:

The Story of “Wolf” on YouTube.

Purchase a vinyl copy of Morricone’sWolf” at Discogs here:

https://www.discogs.com/release/10938422-Ennio-Morricone-Wolf?srsltid=AfmBOopJtpkYSElb-5lKVccX0sE-scxm6wnagrXt0HD__95x5Fb6DjhV

If you’re in the Greater Toronto Area, say hi to my Filmography podcast co-host, Bjorn, and rent or purchase a copy of “Wolf” at “Toronto’s last great video store” Bay Street Video.

Outside of Toronto, you can find a copy of the Indicator blu-ray on Amazon here:

a.co/d/6q3WZ5L

Categories
Morricone

The Morricone Collection: “Grazie Zia” (1968)

Theatrical Poster.

From the album liner notes:

“For the first time on LP, Maestro Morricone’s full score for the erotico-gialloGrazie Zia‘ directed in 1968 by Salvatore Samperi and starring Italian actress Lisa Gastoni.

Reverse Album Cover.

…On this unique soundtrack, the genius composer has created a magical and suspenseful atmosphere based on the recurrent use of the boy’s choir of Renata Cortiglioni.

In 1971, CAM issued a 45 repo single in Italia, whereas in France a 45 rpm EP was released on the AZ label, with 5 selections. Therefore, you’re holding the first complete version of the OST on vinyl.

Album Insert.
Reverse Album Insert.

Including the killer theme ‘Guerra e pace, pollo e brace‘ with its funny rhyme and ferocious drums.”

Italian actress Lisa Gastoni.

Grazie Zia” (aka “Thank You, Aunt” and “Come Play With Me“) stars Lisa Gastoni, who also starred in the Morricone-scored pictures “Wake Up & Kill” (aka “Svegliati e Uccidi” and “Maddalena,” and Lou Castel, who appeared in the Morricone-scored “Fists In The Pocket” (aka “I Pugni In Tasca“).

Blu-ray Cover Art.
Album Cover Art.
Album Cover Art.
Alternate Theatrical Poster.
Alternate Theatrical Poster.
Alternate Theatrical Poster.
Alternate Theatrical Poster.
Alternate Theatrical Poster.

Links:

Listen to the complete score here:

https://www.youtube.com/watch?v=6cq9QDYzpyM&list=PLabUwu_IeFjxr6lfbIdY3SrNN0RJcFmjc

Purchase the album on Discogs here:

https://www.discogs.com/release/12574009-Ennio-Morricone-Grazie-Zia

Watch the trailer for “Grazie Zia” here:

https://mubi.com/en/films/grazie-zia/trailer

Purchase the DVD on Amazon here:

https://www.amazon.ca/Grazie-Zia/dp/B08P4M47H9?ref_=v_sp_product_dpx

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Morricone

The Morricone Collection: “Navajo Joe” (1966)

Never so bold!

-Lyrics from “Navajo Joe” main theme.
Theatrical Poster Art.

Though it was released under the pseudonym Leo Nichols, the score to Sergio Corbucci’s 1966 Spaghetti Western, “Navajo Joe” is unmistakably the work of the Maestro. Despite a screenplay co-written by Fernando Di Leo (“Calibro 9“) “Navajo Joe” is certainly not Corbucci’s best film (that would be “Il Grande Silenzio“), but the music for which it was composed should be counted amongst Morricone’s greatest contributions to the genre.

Navajo Joe” director Sergio Corbucci on location
“Navajo Joe” synopsis from MGM’s North American DVD release.

“A band of outlaws, headed by a sullen leader named Duncan, sweeps across the country like the plague, destroying everything in its path, including an Indian village. The outlaws arrive in the town of Esperanza, where they are hired by a crooked doctor to hijack a bank train and share in the wealth. But the sole survivor from the Indian village, a renegade Navajo named Joe (Burt Reynolds), fells the plan by relocating the money. An irate Duncan holds an innocent Indian girl hostage until Joe surrenders; the brave citizens of Esperanza, under siege by the bandits, risk their lives to free Joe, who is their only hope of surviving. Joe once again takes on Duncan and his ruthless comrades with unforgettable vengeance.”

James Southall’s review of Morricone’sNavajo Joe” album:

Sergio Leone’s masterpieces with Clint Eastwood were just beginning to make their mark on America when Navajo Joe came along, attempting to do a similar kind of thing but in an even grittier way; a different Sergio was in the director’s chair (Corbucci, who had made the seminal Django), and Burt Reynolds was in place of Eastwood.  One constant was the composer – of course, Ennio Morricone, whose work in this genre I would rank as the most extraordinarily creative and brilliant film music there has been.

Album Cover with Morricone given proper credit on Apple Music.

The main title theme for Navajo Joe is a hoot, unexpected even from this most unpredictable of film composers – it begins with a woman’s screech, a primal and startling sound, before a choir sings the name of the character and occasionally utters some words of wisdom about him (eg: ‘Never so bold!’) – a memorable, striking, vintage piece of Morricone, famously used in Alexander Payne’sElection‘ over thirty years later.  And there aren’t many film scores which become ingrained in popular culture because two entirely separate pieces from them cropped up in entirely different films decades later, but as well as the main title in Election, Quentin Tarantino used ‘A Silhouette of Doom‘ in ‘Kill Bill‘ – it’s a driving, suspenseful piece for the villains of the story, built around a five-note motif hammered at the low end of a piano which forms a key building block of the score as a whole.

NOT Josh Brolin, but Burt Reynolds as “Navajo Joe.”

Those two pieces dominate, cropping up in countless variations over the 45-minute score, but always given fresh impetus with each new appearance thanks to the composer’s ingenious knack for building up whole scores sometimes from relatively small (in terms of volume) ideas.  It also helps that there are one or two other set-pieces along the way – the inevitable saloon music, ‘The Peyote Saloon‘, with the piano and banjos, the wonderfully outlandish ‘But Joe Say No‘, the two ‘Navajo Harmonica‘ source cues and the breathtakingly beautiful ‘The Demise of Father Rattigan.’

Reynolds with Nicoletta Machiavelli in “Navajo Joe.”

A kind of legend has built up about this score over the years due to numerous factors – no doubt the fact that it is such good music is the key one, and the use in other films has also helped, the fact that Morricone wrote the score (somewhat mysteriously) under the pseudonym Leo Nichols (and the possibly apocryphal story that Burt Reynolds was furious that the producers were too cheap to hire Morricone so got this Nichols fellow instead) but its peculiar release history also plays a part, with various LPs being issued through the 1960s and 70s which were all unsatisfactory for one reason or another, and the only CD release (in the mid-1990s) suffering from very poor sound.  Now Film Score Monthly has put out the definitive release, of the whole score, plus 10 minutes of bonus tracks, in easily the best sound yet (though it is still certainly not problem-free).  Even by their standards the liner notes are good, with a short essay by John Bender, track-by-track analysis from Lukas Kendall and Jim Wynorski and a brief note from the latter about his history with the score.  Top-notch.”

http://www.movie-wave.net/titles/navajo_joe.html

Corbucci would also engage Morricione to score his next film, “The Hellbenders” (aka “I Crudeli“), as well as “The Great Silence” (aka “Il Grande Silenzio“), “The Mercenary,” “Companeros,” and “Sonny & Jed.”

Above, the original “Navajo Joe” theatrical poster served as inspiration for the fictional “Comanche Uprising” poster featuring Leonardo DiCaprio’s Rick Dalton in Quentin Tarantino’sOnce Upon a TimeIn Hollywood.”

United Artists’ poster for North American Theatrical Release.
Alternate Theatrical Poster.
Spanish Poster Art for “Navajo Joe.”
DVD cover art for MGM’s North American release of “Navajo Joe.”
Thumbnail from YouTube.
Danish VHS cover art for “Navajo Joe.”

Links:

Find a copy of the vinyl for “Navajo Joe” on Discogs here:

https://www.discogs.com/release/2291564-Leo-Nichols-Navajo-Joe-Original-Motion-Picture-Soundtrack?srsltid=AfmBOop41YLUm_uLZRlIGGAojqDo_HsZkiSEBbT2OPJ2rJNe4OXavfWO

Listen to the 13-minute “Navajo Joe Suite” here:

Morricone’sNavajo Joe Suite” on YouTube.

Watch the trailer for “Navajo Joe” here:

Navajo Joe” film trailer on YouTube.

Watch the train robbery sequence from “Navajo Joe” here:

Train Robbery Scene on YouTube.

Watch Quentin Tarantino talk about the fictional meeting between Sergio Corbucci and his “Once Upon a Time… In Hollywood” protagonist, Rick Dalton, here:

Watch Netflix’s Sergio Corbucci documentary, “Django & Django,” featuring Quentin Tarantino here:

https://www.netflix.com/ca/title/81519575

If you are in the Toronto area, say hi to my Filmography podcast co-host, Bjorn, and find a copy of “Navajo Joe” at “the last great video store” Bay Street Video here:

www.baystreetvideo.com
Toronto’s last great video store, located on Bay Street, just south of Bloor.

Outside of Toronto, purchase a blu-ray of “Navajo Joe” on Amazon here:

https://a.co/d/daiSXDL

Categories
Morricone

The Morricone Collection: “The Bird With The Crystal Plumage” (1970)

“We can’t rule out the possibility that he is a pervert.”

-Quote from “The Bird With The Crystal Plumage.”
Ennio Morricone circa 1970, the year “The Bird With The Crystal Plumage” was released.
Original theatrical poster.
Spanish DVD art for “The Bird With The Crystal Plumage.”
Italian DVD art for Arrow’s home video release of “The Bird With The Crystal Plumage.”

Morricone’s score for Dario Argento’s debut picture, 1970’s Rome-set thriller “The Bird With The Crystal Plumage,” is the first of three scores the Maestro composed for Argento’s so-called “Animal Trilogy” (followed swiftly by “The Cat O’ Nine Tails,” and “Four Flies On Grey Velvet“).

Morricone would later compose the music for Argento’sThe Stendhal Syndrome,” and “The Phantom Of The Opera,” bringing the total of Argento-directed films with Morricone scores to 5.

Of course, Argento was already an established screenwriter of note before making his directorial debut on “The Bird With The Crystal Plumage.” Argento penned the screenplays for the Morricone-scored pictures “Comandamenti Per Un Gangster,” “Once Upon a Time In The West,” “Metti Una Sera A Cena,” “Un Esercito Di 5 Uomini,” and “La Stagione Dei Sensei,” making it a 10 film-collaboration over four-decades.

The Bird With The Crystal Plumage” director Dario Argento with the Maestro himself.

The “The Bird With The Crystal Plumage” score begins with a light touch, very much in the vein of Morricone’s more melodic lounge compositions, but things quickly get weird, with strange vocalizations, moans, and heavy breathing over sparse, jagged, anxiety-inducing discordant themes.

Suzy Kendall and Tony Musante in “The Bird With The Crystal Plumage.”

The effect is that Morricone’s score lulls you into a dreamy state before it strikes with dissonance and unnerving sounds meant to put you on a razor’s edge, only appropriate given the nature of the film to which this music belongs.

Tony Musante and a soon to be murder-victim in “The Bird With The Crystal Plumage.”
Tony Musante interviewed by the police in “The Bird With The Crystal Plumage.”
A staple of the giallo picture: the silhouette of a mysterious killer all in black.

Although it wasn’t the first (credit Mario Bavas “The Girl Who Knew Too Much” with that honour) Argento’s oft-imitated suspense picture set the benchmark for the giallo genre.

The original giallo picture, Mario Bava’s “The Girl Who Knew Too Much”

Literally translated as “yellow” from Italian, gialli are Italian thrillers that take their name from “Il Giallo Mondadori,” a series of popular Italian murder mysteries originally published by Arnoldo Mondadori Editore, with their iconic yellow jackets.

Giallo” was an Italian literary genre before bleeding into Italian cinema.
Argento wields the knife.

Argento was the best of the best in the giallo business, and has become synonymous with the genre, but there are many other classics to seek out, from Lucio Fulci’sDon’t Torture a Duckling,” to one of my personal favourites, Luigi Bazzoni’sThe Fifth Cord” (also scored by Morricone).

After you check out the soundtrack, don’t forget to see the film! And on the subject of gialli, Arrow Video has been releasing a number of significant giallo pictures both on blu-ray and on their Arrow Player streaming app.

Visit the giallo section of Arrow Video’s website here:

https://www.arrow-player.com/giallo-essentials

Along with Spaghetti Westerns (Italian westerns) and Poliziotteschi (Italian cop thrillers), the giallo sub-genre shows what a rich period the 1960s and ’70s were for Italian cinema. For more on everything giallo, check out the documentary “All The Colors of Giallo,” which is a fun deep-dive for fans of the genre and newcomers alike.

Watch the complete documentary “All The Colors of Giallo” here:

All the Colors of Giallo” on YouTube.

And for more on poliziotteschi and why the ’60s and ’70s were the heyday for Italian genre cinema, check out the trailer for “Eurocrime: The Italian Cop & Gangster Films That Ruled The 70s” here:

https://youtu.be/ILqe-2aumvw?si=E8vFuKH9DtApG8CJ

Expect future posts on my favourite gialli and poliziotteschi pictures soon. So long!

Listen to the complete “The Bird With The Crystal Plumage” score here:

Morricone’s complete score for “The Bird with The Crystal Plumage” on YouTube.

Watch the trailer for “The Bird With The Crystal Plumage” here:

Arrow Video trailer for “The Bird With The Crystal Plumage” on YouTube.

Watch the Arrow Video Story on “The Bird With The Crystal Plumage” here:

Arrow’s Video Story for “The Bird With The Crystal Plumage” on YouTube.

Watch a clip from “The Bird With The Crystal Plumage” here:

The Bird With The Crystal Plumage” clip “The Painting” on YouTube.

Watch “The Bird With The Crystal Plumage” on The Criterion Channel here:

https://www.criterionchannel.com/the-bird-with-the-crystal-plumage

Watch “The Bird With The Crystal Plumage” for free on YouTube here:

Full film on YouTube.

See Dario Argento introduce the film at the Lincoln Center here:

Dario Argento introduces his debut film at the Lincoln Center screening for “The Bird With The Crystal Plumage.”

Watch the Film at Lincoln Center screening Q&A here:

Dario Argento Q&A on “The Bird With The Crystal Plumage” at the Film at Lincoln Center screening.

Find a copy of Morricone’s “The Bird With The Crystal Plumage” on Discogs here:

https://www.discogs.com/release/3405084-Ennio-Morricone-The-Bird-With-The-Crystal-Plumage

If you are in the Toronto area, say hi to my Filmography podcast co-host Bjorn, and rent or purchase “The Bird With The Crystal Plumage” by visiting the last great video store, Bay Street Video, in store or with the link below:

Toronto’s Bay Street video.
The last great video store, Bay Street Video.

If you’re not in Toronto, you can find the blu-ray on Amazon here:

https://a.co/d/hC0Oerl

Watch the Arrow Video Story for the prototypical giallo picture, Mario Bava’s The Girl Who Knew Too Much,” here:

Arrow Video Story on Mario Bava’sThe Girl Who Knew Too Much” on YouTube.

Watch the trailer for Lucio Fulci’s giallo classic “Don’t Torture A Duckling” here:

Don’t Torture A Duckling” trailer on YouTube.

Watch the trailer for Luigi Bazzoni’s giallo classic “The Fifth Cord” here:

“The Fifth Cord” trailer on YouTube.

Listen to Morricone’s score for “The Fifth Cord” (aka “Giornata Nera Per L’Ariete) here:

https://youtu.be/CS6cyjaSofw?si=bfMk7SafCarhcZz1

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Morricone

The Morricone Collection: “Il Giocattolo” (1979)

Opening with a music-box melody that recalls “Watch Chimes” from “For a Few Dollars More,Morricone’s score for 1979’s “Il Giocattolo,” is at turns haunting and tender, with pounding piano chords (hints of the future score for “The Untouchables“) sweeping strings, funky guitar, and a touch of Morricone’s signature whistling. This 11-track Cinevox release is one of my favourite albums from the Maestro’s lesser-known works.

img_2468-1

Directed by Guiliano Montaldo (“Sacco & Vanzetti“), written by Sergio Donati (“Once Upon A Time In The West“), and starring Nino Manfredi (“Bread & Chocolate“), “Il Giocattolo” has been described as “the Italian Taxi Driver.” Also known as “A Dangerous Toy,” the film tells the story of a mild-mannered accountant who becomes obsessed with guns and revenge after his police officer friend is killed.

Watch “Il Giocattolo” here:

Giuliano Montaldo’s “Il Giocattolo” on YouTube.
img_2472-1
Director Giuliano Montaldo from the introduction to “Il Giocattolo.”

Purchase the album on Discogs here:

img_2470-1

https://www.discogs.com/release/4692966-Ennio-Morricone-Il-Giocattolo-Colonna-Sonora-Originale-Del-Film

Listen to “Watch Chimes” from “For a Few Dollars More” here:

Watch Chimes” on YouTube.

Listen to “The Untouchables” main theme here:

The opening main titles theme from Brian De Palma’sThe Untouchables.”

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Morricone

The Morricone Collection: “La Stagione Dei Sensi” (1968)

This 2018 pressing of Morricone’s soundtrack to the 1968 picture directed by Massimo Franciosa, and written by Dario Argento, is an eclectic mix of pop songs (sung by Patrick Samson as if his life depended on it!), lounge numbers (by frequent Morricone collaborator Edda Dell’Orso), prominent sitar, and ranges in feeling from light and romantic, to dramatic, dark and moody.

Back album cover.
Clear vinyl pressing.

Listen to the album here:

“La Stagione Dei Sensi” on YouTube.

Purchase the album via Discogs here:

https://www.discogs.com/master/550672-Ennio-Morricone-La-Stagione-Dei-Sensi-Colonna-Sonora-Originale-Del-Film

Discogs page for “La Stagione Dei Sensi.”

Purchase the album via twoheadeddog.com here:

https://www.twoheadeddog.com/ennio-morricone-la-stagione-dei-sensi-original-motion-picture-soundtrack-lp/

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Morricone

The Morricone Collection: “Svegliati E Uccidi” (1966)

Featuring 9 bonus tracks, this 2018 Dagored limited edition (500 copies) of Morricone’s score to the 1966 Italian crime thriller “Svegliati E Uccidi” (aka “Wake Up & Die,” aka “Wake Up & Kill,” aka “Too Soon To Die”) is the first time the complete soundtrack has been available on vinyl. Described as “dark and powerful,” this early work from Morricone showcases his mastery of not just film scores, but pop songs, too, as evidenced by the stirring, mournful opening track “Una Stanza Vuota” (“An Empty Room”) sung by the film’s lead actress, Lisa Gastoni, who also starred in the Morricone-scored films “Grazie Zia,” “Maddalena,” and “I Pugni In Tasca” (aka “Fists In The Pocket”).

Listen to the song here:

https://youtube.com/watchv=khFesfrt244%3Fsi%3DRuOWPlr43gE_JeFF

Thanks to Babbel.com, I can (almost) understand all the lyrics. I’ll attempt to translate below (with just a little help from Google Translate):

Una stanza vuota (An empty room)

e tu, che mi hai lasciato (and you, who left me)

con il cuore pieno di te, (with a heart full of you)

e non ti vedo. (and I don’t see you)

Torna, torna indietro, (Come back, come back)

voglio darti tutti i miei giorni. (I want to give you all my days)

Torna da me, da me! (Come back to me, to me!)

Se in un mondo matto per me (If in a world, crazy for me)

ti sei perduto, (you are lost,)

cerca di capire. (try to understand)

Purchase the record here:

https://www.discogs.com/release/13042939-Ennio-Morricone-Svegliati-E-Uccidi-

Watch the film here:

Directed by Carlo Lizzani, the fun and stylish “Svegliati E Uccidi” stars Robert Hoffman, Lisa Gastoni, and Gian Maria Vononté.

Learn Italian (or any language you like!) here:

https://www.babbel.com

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Morricone

The Morricone Collection: “Un Uomo Da Rispettare” (1972)

One of my most prized records is this original 1972 vinyl for the soundtrack to the crime film “Un Uomo Da Rispettare” (aka “A Man To Respect,” aka “The Master Touch”) directed by Michele Lupo, starring Kirk Douglas and Florinda Bolkan and Giuliano Gemma.

The Maestro’s on-screen credit.

With stunning cover art by Ermanno Iaia, Morricone’s moody, atmospheric, trumpet-infused score greatly enhances an otherwise mediocre Italian crime picture.

The Album:

Other Editions:

1973 French pressing.
Face 1.
Face 2.
1995 Japanese CD release.
U.S. 2017 pressing front album cover.
Inner sleeve.
Side 1.
Side 2.
Reverse album cover.

The Film:

Posters:

German theatrical trailer.
U.S. theatrical poster.
DVD cover art.

Lobby Cards:

Ermanno Iaia Posters:

Italian “Serpico” poster.
Italian “Psycho” poster.
“The Fury” poster {detail).
Italian theatrical poster for “The Fifth Cord.”
Alternate Italian poster for “The Fifth Cord.”
French poster for “The Conformist.”
Alternate poster for “The Conformist.”
Billy Jack” poster.
“The Marseille Contract” poster.
The Master & Margaret” poster (detail).
Un Ragazzo di Calabria” poster.
 “L’idolo della città” poster (detail).
Italian theatrical poster for “Death Wish 3.”
DELITTO IN SILENZIO” poster (detail).
Italian poster for Billy Wilder’sAce In The Hole,” also starring Kirk Douglas.
Poster detail for Walter Hill’s “The Driver.”
Alternate poster (detail) for “The Driver.”
Italian poster for “Badge 373.”
Dirty Mary, Crazy Larry” Italian theatrical poster.
“DIrty Mary, Crazy Larry” poster (detail).
“The Nada Gang” Italian poster.

Links:

Purchase the vinyl from Discogs here:

https://www.discogs.com/release/4351448-Ennio-Morricone-Un-Uomo-Da-Rispettare-Colonna-Sonora-Originale-Del-Film

Listen to the 11 1/2-minute opening title track here:

Ennio Morricone – Un Uomo Da Rispettare

Listen to the complete score here:

Un Uomo Da Rispettare

Check out more of Iaia’s incredible poster designs here:

Watch “The Master Touch” for free here:

https://www.youtube.com/watch?v=sBlp-RTzqfE&t=52s